Dutch 1756-1840 Cornelis van Spaendonck (7 December 1756 - 22 December 1839) was a Dutch painter who was a native of Tilburg. Spaendonck initially worked under artist Guillaume-Jacques Herreyns (1743-1827) in Antwerp, and in 1773 moved to Paris to study and work with his brother, floral painter G??rard van Spaendonck (1746-1822). From 1785 to 1800, Cornelis van Spaendonck was head of the porcelain works at S??vres. Due to difficulties encountered as an administrator, he was relieved of his directorship in 1800, but remained at S??vres as a designer and artist until 1808. In 1789 Spaendonck became a member of the Acad??mie des Beaux Arts. He painted throughout his lifetime, and displayed his works at the Salons of Paris until 1833. Most of Spaendonck's works were created with oils and gouache, and he is remembered for his lush still-lifes of flowers. Among his paintings were subjects such as De Fleurs Et Fruits, Vase De Fleurs, Bouquet De Different Fleurs, Fleurs Du Jardin, Corbeille Fleurs, et al. At his death in 1840 there were 29 paintings in his studio, which were auctioned soon afterwards.  Related Paintings of Cornelis van Spaendonck Prints :. | Mrs Samuel Hill | The Spinner (nn04) | Tomb of Juan de Padilla | St.Onuphrius | He Loves Me He Loves Me Not |
Related Artists:
Joseph Stieler
German Painter, 1781-1858,German painter. In 1798 he studied under Christoph Fesel (1737-1805) in Werzburg and in 1800 with Heinrich Feger in Vienna, where his style was strongly influenced by English portraiture. After he studied in Paris (1807-8) with Fran?ois G?rard the influence of Neo-classicism became apparent in his work. He visited Italy in 1809, 1810 and 1812 to do commissioned portraits for various patrons, among them Prince Eugene de Beauharnais (1809; Munich, Bayer. Nmus.) and Joachim Murat, King of Naples (reg 1808-15). In 1812 he went to Munich where he did work for middle-class clients, the nobility and the royal family of Bavaria (e.g. the portrait of Maximilian I Joseph, 1816; Ellingen, Schloss). In 1820 he was appointed court painter to Ludwig I, King of Bavaria (reg 1825-48), and painted several portraits of him. In 1823 he helped co-found the Kunstverein in Munich. He was one of the most important portrait painters in the Neo-classical style, specializing particularly in studies of women, as seen in the 36 portraits commissioned by Ludwig I for the Schenheitsgalerie (1827-42; Munich, Schloss Nymphenburg). In his portraits for the middle classes and for the court he devised certain peculiarities of form. He painted various members of the royal houses of Austria, Prussia and Sweden, as well as members of the nobility in the duchies of Saxe-Altenberg, Saxe-Coburg and Hesse. His sitters also included some of the most important figures in the political and intellectual life of Germany in the first half of the 19th century. He painted the pendant portraits of Franz Brentano and Antonie Brentano (both 1808; Winkel, Brentanohaus), Johann Wolfgang von Goethe (1828; Munich, Neue Pin.) and Ludwig Tieck (1838; Berlin, Schloss Charlottenburg), the geographer and botanist Alexander von Humboldt (1843; Potsdam, Schloss Charlottenhof) and the musician Ludwig van Beethoven (Bonn, Beethoven-Haus). After 1845 the classical elements in his paintings were sometimes combined with an application of colour typical of plein-air studies. He also painted genre pictures and religious scenes.
William Samuel Horton
painted Landscape with Stream in c. 1900
Frans Francken II
Flemish Baroque Era Painter, 1581-1642 was a Flemish Baroque painter and the best-known member of the large Francken family of artists. Many of his works are small historical, allegorical and biblical cabinet paintings with the focus on figures. He also invented or popularized several new themes that became popular in Flemish painting, such as genre scenes populated by monkeys (later imitated by David Teniers the Younger) and Kunstkamer paintings displaying a wealth of natural and artistic treasures against a neutral wall. Francken frequently collaborated with other artists, adding figures to works by Tobias Verhaecht and Abraham Govaerts.